The DPA 2028 sports a super-cardioid capsule with the famously flat DPA off-axis response. This gives the microphone a very high gain-before-feedback and at the same time makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The 2028 picks up these off-axis sounds in the most natural way.
DPA have designed a brand new capsule for the 2028, which is an integral part of the mic. It is fixed in its position on top of the shock mount and can’t be dismounted. The newly-designed shock mount and pop filter have been developed specifically for the 2028.
For live stage use, the 2028 will deliver the same open and transparent sound that other DPA microphones deliver. In fact, it needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present, which puts less strain on them. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artefacts.
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